Canvas as material on which painting can be done is a common material used by people for a variety of purposes. The Photo on canvas for some reason became popular leading to canvas being used for other art work also. The manufacturers were able to come out with high quality  Photos on canvas. Naturally, it became popular among people. Innovations are the lifelines of any manufacturing unit and companies which have made canvas as their business are n exception. The photos which were printed on the canvas were used by these manufacturers to create Pop Art. It is a question of study of the market and a feeling for the pulse of the people. Companies who have realized the importance have capitalized on the people  fascination for the material and they have produced many attractive items to suit their tastes.

The canvas used for artwork or printing undergoes a special process. The manufacturers use Canson archival canvas and which are mounted on kiln dried stretcher bass. The canvas when delivered can be hung on your wall straightaway because of the frame used. While inserting into the frame the canvas is stretched by hand protection for the canvas comes from UV laminate. Canvas prints are made out digitally using the giclee printing. The printing is done directly on the canvas and the resulting products look exactly like the original. Best quality format printers are used using the super quality available. Using the giclee printing ensures that there is no spraying or squirting of inks. The printers use wide formats.

Business for Canvas art is very good and producers in Australia thrive on a flourishing export market. All principle cities in Australia including Tasmania have been great markets for Pop Art Canvas. As decorative pieces, both business houses and homes choose paintings and photographs printed on canvas. Homes find it a change from the glass framed and laminated photos they display in their sitting or bed rooms. Manipulation of images, like getting rid of all unattractive features is a speciality of this work. Because of the good business for these canvas products  painters and art writers are enjoying good patronage. Technology in way of printing, printing and printers has made a significant contribution in the development of this form of art. That canvas a tough material is used in the artistic world is a significant development for antique items and antique collectors.

Such was Andre Breton’s definition of Surrealism his Surrealist Manifesto of 1924. The aim Surrealism of was to liberate thought from the control of reason, regardless of the aesthetic or moral consequences. Surrealist painting and writing were to become media for expression of the subconscious.

The first Surrealist exhibition took place in 1925, in the Pierre Gallery in Paris. Bringing together Max Ernst, Jean Arp, Man Ray, the Catalan painter Joan Miro (1893-1983), Picasso, and the Italian artist Giorgio de Chirico (1888-1978), it challenged prevailing notions of artistic decorum, good taste, and bourgeois morality. Andre Breton became editor of the magazine La Revolution surrealiste, and in 1929 he published a Second Surrealist Manifesto. The Catalan painter Salvador Dali (1904-89) made a spectacular entry into the group with a bizarre film he co-directed with his compatriot Luis Bunuel; entitled Un Chien andalou (“An Andalusian Dog”), it created a sensation. The Surrealist movement, centered on the measure of artistic creation, cultivated complete spontaneity. Its painters wrote (Max Ernst) and its poets painted (Robert Desnos). Its artists favored the media of collage and polyglot assemblage, developed the technique of frottage (making “accidental” rubbings), engaged in “automatic writing” – random writing thought to be impelled by the subconscious – and invented game they called “exquisite corpse.” Named after a poem obtained according to its rules, this procedure consists of passing a collage, drawing, or poem from person to person, each of whom adds something to the sequence without being able to see most of the previous contributions.

Surrealist painting encompasses works of enormous variety, including the nightmarish visions of Dali, the sand paintings of Andre Masson (1896-1987), the outlandish juxtapositions of Rene Magritte (1898 – 1967), the insolate urban views of Giorgio de Chirico, the clotted landscapes of Max Ernst, and the calcified forms of Yves Tanguy (1900-55). But all of these artists aimed to unlock the secrets of the subconscious.

By the end of the 1920s the movement had become international. Breton’s death in 1966 brought it to an official close, but its effects can still be felt today.

This article is courtesy of ‘The beginners guide to Art’ by Brigitte Govignon’ and brought to you by Blue horizon Printing. Experts in printing premium quality canvas prints with a massive range of abstract art prints along with a variety art. Visit the site at http://bluehorizonprints.com.au/

The Second World War was followed by a period of reconstruction in Europe and increasing prosperity there and in the United States. There was also a sense of collective exhilaration at what seemed to be the dawn of a new era of possibilities. Yet there was also an under ­current of pessimism. The war had caused enormous destruction, and many of its horrors had shown human nature at its worst. Now the world was entering the Cold War, with its attendant threat of nuclear holocaust. Abstraction flourished in the 1950s, both in Europe and the United States. In the 1960s, however, the emerging consumer society brought on a new return to realism.

British Pop Art

In the mid-1950s, the small Independent Group, made up of both artists (Eduardo Paolozzi, Richard Hamilton) and critics (Lawrence Alloway), began to study commer­cial culture, focusing on inexpensive products, advertising, and their role in modern life. An exhibition held in 1956 at the Whitechapel Art Gallery in London marked the birth of what the critic Lawrence Alloway (1926-92) christened “Pop Art” in 1958.

Richard Hamilton (b. 1922) depicted cars, pin-ups, and electric appliances; Peter Blake (b. 1932) concentrated on comic strips and pop singers; and Eduardo Paolozzi (b. 1924), a magazine collector, made collage prints, recy­cling advertisement and comic-strip imagery.

American Pop Art

During the 1950s the art world in the United States was dominated by Abstract Expression­ism; in the early 1960s American artists and critics embraced Pop Art enthusiastically. In 1962 the Sidney Janis Gallery in New York or­ganized an exhibition entitled “New Realists” that included work by Jim Dine (b. 1935), Roy Lichtenstein (1923-97), Claes Olden­burg (b. 1929), Andy Warhol (1928-87), Tom Wesselman (b. 1931), and James Rosenquist (b. 1933).

In 1962, Andy Warhol became famous for his paintings of Campbell’s Soup cans, first rendered individually and then in immaculate rows. He also silk-screened the faces of celebrities such as Marilyn Monroe and Jackie Kennedy by the hundreds. Repeated in this way, these images acquired a surprising power, offering ambiguous commentary on consumer and celebrity culture.

Roy Lichtenstein worked with comic-strip imagery. Beginning in 1960, he painted hugely blown-up images of individual comic-snip frames, complete with the enlarged benday dots of color newsprint.

At the same time, Claes Oldenburg began to make large painted plaster sculptures of sandwiches and cakes, which were soon followed by giant “soft” plastic appliances that droop disconcertingly.

Tom Wesselman brought together objects and collage elements in scenes and tableaux evoking everyday life, sometimes also incorpo­rating reproductions of works of art.

This article is courtesy of ‘The beginners guide to Art’ by Brigitte Govignon’ and brought to you by Blue horizon Printing. Experts in printing premium quality canvas prints with a massive range of abstract art prints along with a variety art. Visit the site at http://bluehorizonprints.com.au/

Born in the early twentieth century, abstract art is by definition opposed to the representational art that had prevailed until that time. Subjects depicted by painters and sculptors could sometimes be difficult to construe, but previously it had been inconceivable for them to deliberately compose images that did not depict recognizable objects. Some artists now set out to create a completely nonrepresentational art, among them the leading pioneer of abstraction, the Russian Expressionist Vasily Kandinsky.

Kandinsky reported that one day, as he looked at one of his paintings hung on its side, he perceived that, although the subject was unrecognizable, it nonetheless retained con­siderable expressive force. This insight spurred him to prolonged reflection that bore fruit in 1912, in a book entitled On the Spiritual in Art, considered a fundamental text of abstract art. The history of painting is full of instances in which artists found ways to break free of the constraints of visual reality. They distorted forms, illuminated their subjects intensely, or worked with high-keyed colors to give their compositions greater visual impact, and to emphasize their own imaginative understand­ing of what they were painting. However, a complete rejection of mimesis – the imitation of reality – had never been attempted. Now, with the invention of photography in the mid- nineteenth century, technology offered an excellent means of recording the appearance of objects. Kandinsky thus took the final step, abandoning representation altogether, and vastly expanding the horizons of artistic inves­tigation. Henceforth, abstraction, which of­fered artists a virtual universe of new expres­sive possibilities, flourished in a host of guises.

Of course, abstract art was not generated solely by Kandinsky. Other artists in other places were moving in the same direction at about the same time: the Czech artist Franz Kupka (187-1957) exhibited abstract canvases with musical titles (Fugue in Red and Blue); the Frenchman Robert Delaunay (1885-1941), intoxicated with color, painted chromatic disks; and in Italy, Alberto Magnelli (1888-1971) also produced abstract paintings.  But it was in Russia and Holland that abstrac­tion was first pushed to its limits.

In Russia, Mikhail Larionov (1881-1964) and his wife, Natalia Goncharova (1881-1962), founded Rayonism, a movement that while short-lived, was important in the development of abstraction. As early as 1911 Larionov exhibited the first work in this style (Glass), dominated by colored “rays.” Kazimir Malevich (1879-1935), a theorist and of a strictly geometric style called Suprematism, is one of the major figures of early ab­straction. In 1915 he exhibited in Petrograd, at an exhibition entitled “0.10,” his famous 1913 canvas Black Square on White Ground, along with thirty-seven other Suprematist compositions consisting exclusively of rectan­gles, circles, triangles, and crosses. The movement peaked in 1918, when Malevich exhibited White on White at the Tenth State Exhibition in Moscow. In response to Malevich’s experiments, the Constructivist Alex­ander Rodchenko (1891-1956) used ruler and compass to produce geometric compositions, notably Black on Black of 1918.

Around 1913, the Dutch artist Piet Mondrian (1872-1944) rapid­ly passed from a Cubist-inspired style to one based on vertical and horizontal lines. Soon thereafter he began to produce compositions consisting of rectangles in primary colors (red, blue, yellow) delineat­ed by black lines of various widths and set against white grounds, a style called Neo-Plasticism. Mon­drian quickly joined forces with another Dutch artist, Theo van Doesburg (1883-1931), and to­gether they founded the magazine De Stijl (Style) to publicize their theories, which influenced many architects and designers.

Abstraction was briefly eclipsed in the 1920s, when many artists were attracted to Surrealism. In 1936, however, the first interna­tional exhibition of abstract art was held in Paris.  Sponsored by the magazine Cercle et carre (“Cir­cle and Square”), it brought to­gether works by Kandinsky and by various geometric abstractionists. While the Spanish Civil War and the Second World War inspired artists to embrace Expressionism as a way of communicating their outrage at the atrocities that occurred during these conflicts, the postwar years generally were a period of expansion for abstraction.

Postwar abstraction can take many forms, from the geometric images of the German artist Josef Albers (1888-1976) and the Amer­icans Barnett Newman (1905-70) and Ad Reinhart (1913-67) to the energetic, intensely gestural work of such Abstract Expressionists as Jackson Pollock (p. 257) and Willem de Kooning.

This article is courtesy of ‘The beginners guide to Art’ by Brigitte Govignon’ and brought to you by Blue horizon Printing. Experts in printing premium quality canvas prints with a massive range of abstract art prints along with a variety art. Visit the site at http://bluehorizonprints.com.au/

The first electric tramway in Australia began operating between Box Hill and Doncaster in Melbourne in 1889 but this was short-lived. Hobart was the first Australian city to have a complete if modest electric tramway system using double-deck cars, which began operating in 1893. A service began in Brisbane in 1897, Perth in 1899, Melbourne service proper in 1906 and Adelaide in 1909.

In Sydney experimental electric trams began in 1890. Initially comprising a single saloon passenger area, they were fast, quiet, clean, and enormously popular. Demand for larger trams with cross-bench seating combined with semi-enclosed areas saw new models quickly appear. The impact of introducing electric trams was dramatic. Annual patronage trebled in the first decade from 63 million to 190 million reaching 308 million by 1923.

The most famous of all Sydney electric trams were the O  Class ‘toastrack’ trams. The name ‘toastrack’ referred to the equally spaced vertical divisions between the bench seats. There was no centre aisle. The tram featured both enclosed and open sections and had numerous doorways to ensure that passengers could quickly enter and leave. They were capable of carrying 80 seated passengers and 128 in ‘crush’ conditions, were mostly run in pairs and ideal for moving large crowds from venues such as race meetings, sporting fixtures and shows. With 626 in the fleet, the O class was numerically the largest class of tramcar used in the one city in the world and technically the fastest and most advanced in Australia at the time. They were locally built between 1908 and 1914 and served as the backbone of Sydney’s electric tram fleet for over years, loved by passengers and tram crews alike.

The tram system was capable of moving massive numbers, and could deliver over 80,000 people to Sydney’s Randwick Racecourse for a single meeting, then disperse the crowd within 20 minutes of the finish. An enviable achievement, unsurpassed today. Sydneys tram system became the largest in the British empire (after London) and patronage peaked in 1945 with 405 million passengers that year.

Governments, local authorities and private companies all over Australia pushed tramlines out into the suburbs, quite often preceding urban development. After the Second World War, however, with the motor car on the rise, police, motoring organisations and many newspapers began to turn on the trams. They were seen unfairly as the cause of city congestion and an old-fashioned relic of the 19th century, not wanted in a modern automobile-based city. Tramways and other public transport systems all over Australia had been under great strain during the war, and many were in a badly worn state at its conclusion. As public transport patronage began to drop off in favour of the car, administrators were not inclined to spend large amounts of money maintaining or expanding the tramways.

A policy of conversion to trolley bus or motorbus operation was soon adopted by almost all operators except Melbourne. During the 1950s most of the country’s great tramway systems were dismantled in a series of ill-considered decisions, including those in Newcastle, Kalgoorlie, Fremantle, Launceston, Adelaide (except for the Glenelg line), Perth and Geelong. The closure of the immense system began in 1956, its replacement by diesel buses being spread over five years. As soon as the last tram had passed, the overhead wires were removed and the tracks tarred over the next morning to prevent trams being reintroduced if buses were a failure. Hobart’s tramways closed in 1960 and Brisbane’s in 1969. Only Melbourne resisted the anti-tram lobby as its wide streets laid out in a grid pattern could accommodate both trams and cars.  Today it is the only major city of the English- speaking world to retain its tramway system intact, even expanding it in the last few years. Melbourne continues to enjoy an urban transport system that is not only clean and effective but has tourist appeal, operating the fourth largest network (in excess of 240 km) in the world with about 500 vehicles.

This article is courtesy of the great book ‘On the Move, a history of transport in Australia’, by Margaret Simpson’ and is brought to you by Blue Horizon Printing, specialists in premium quality replica tram and bus scroll art.

http://bluehorizonprints.com.au/artshop_viewall.php?catid=28#top

Apostles Panoramic print

The use of various kinds of software these days have made it very easy for the person to be able to put up a lot of photographs that are connected to make a panoramic photograph. George Barnard is one of the pioneers in the panoramic photograph and he started making such photographs as early as the 1860s. These days, it is much more easier because of the availability of various kinds of cameras that allow a person to take photographs that have such kind of abilities.

The availability of high quality cameras make it possible for the photographs to be taken so that there are no blind spot in the picture when the photograph is taken. Once the pictures are captured by the camera, there are various software that can help in the process of creating a unique and amazing photograph that is stitched together with the available software. This is also called as the segmental stitching.

The result is a pure work of art that is amazing. There are many cameras that are able to take these full hemisphere pictures. There are various advantages of the panoramic photograph. This makes it easier for the people who are taking the photograph to be able to give a whole idea about the picture instead of various pictures. The people viewing will be able to view the whole film like picture at one shot and from one point in the space, rather than viewing it in. The lack of aberrations and distortions in the completed picture make it amazing to the naked eye. This kind of panoramic photography is used mainly by journalists and also in movies to a large extent.

Pop Art Print

Having a unique, personalised work of art using created from your favourite photographs of your friends, family or Pets has never been easier.

Blue Horizon Printing has been specialists in the field of creating Pop Art for over 3 years now during which time they have created over 200 unique pop art creations using their customers images.  Gary Klungreseth, Founder of Blue Horizon Printing says “Pop Art is getting more and more popular every year; advances in digital software such as Photoshop 5 allow us to create increasingly better Personalised artworks for our customers at better prices than ever before.

Demand for personalised Pop Art such as the Warhol style 4 panel made popular by the famous Marilyn Monroe designs of the 50s is rising. To help customers to choose from any one of the 30 different Pop art styles available, Blue Horizon Printing have just revamped the Pop Art section of their market leading website.

The Pop Art page seen here, now shows 22 of the main styles customer can select from. To place an order for pop art to be created, a customer simply needs to simply follow the 4 easy steps, 1. Select the size and shape if the canvas print they want, 2. Upload or email their photo, 3. Choose the style they want from the 22 displayed on the Pop Art page, whether its a 4 or 9 panel Andy Warhol style design or a more contemporary but equally eye catching other style. Lastly the customer adds their details including name and delivery address.

The experts will then create 3 different Pop Art proofs in the style the customer selected allowing the customer to select their favourite or make further change recommendations. Once a design has been chosen its then down to the master printers at Blue Horizon to begin creating the canvas print, printing the pop art design using state if the art digital printer, premium quality inks and 100% cotton canvas.

The final step in the process is to mount the canvas over a premium grade, kiln dried timber frame and securely package the canvas print in core flute protective wrapping, bubble wrap and finally cardboard. This careful packaging process ensures the pop art canvas print arrives in perfect condition, ready to hang straight onto the wall.

Visit their website today to see which Pop Art style is your favourite http://bluehorizonprints.com.au/andy_warhol_pop_art.php#top

Or contact them direct on 1300 632 332 / photos@bluehorizonprinting.com.au

Pop art is as popular today as it was in the 1950′s when it was first established. The pop art culture has many great people who contributed their own style and flair to help make it what is it today.  One of the greats of the pop art culture and era was Andy Warhol. The art of Andy was such that one of his pictures was sold  recently for over $100 million. He is best know for his pop art creations of celebrities such as Marilyn Monroe and Mick Jaggar along with the art of the more mundale items of daily life such as Campbells soup. Other noteworthy Pop Artists are Roy Lichtenstein, Pablo Picasso, Marcel Duchamp, Kurt Schwitters, and Man Ray.

pop art canvas print

The pop art ‘process’ used today in photo studios can be used to transform a photograph into a similar work of art. With todays digital technology creating personalised Pop Art from photographs is now an affordable way to get art for your home that is your own. Warhol style four panel pop art of portraits or pets are getting increasingly popular as the colours used help create an eye catching and unique centre piece for any room.

These days, many people are trying to recreate the magic that was created by Warhol in the 50s. This is because the media and other advertisers are trying to make various inroads into the minds of the people viewing programs and advertisements by manipulating various photographs. This has largely been possible because of the creative mind of people who first created pop art culture.

Though Warhol did not have all the modern technology with him, he was able to make stunning pictures on a mundane background. The use of myriad colors by the people of yesteryears in the pop art has been replaced by various other methods. The technology and the creative methods have changed too, but the concept of using one background for another picture has remained the same and people are placed in various backgrounds to create an amazing magical moment.

Some of the tools that are needed to create this kind of photographs into pop art include software like Photoshop. There are various companies that make the work easy and convert the photograph into pop art. The photograph is made into a digital file and then the image of the person is cut out. This image of the person is then inserted into a different background to create a unique picture that has become transformed into pop art from just an ordinary photograph.

You can print any photos on canvas to create a piece of canvas art. It can be a beautiful scenery that  you have captured on your camera, it can be the portrait of a family member, it can be a memorable family photoit can be virtually anything. You can even pick up an old photo from your family archive and provide it to the canvas print specialist to be transformed into a canvas art. The specialist will scan the photo that you have provided in high resolution and send it back to you as a print on canvas. This canvas art can create an atmosphere of calmness and serenity in your living room and it can also add an aesthetic value to your home. Moreover, the print on canvas also is a great status symbol as a canvas has long been regarded as an aristocratic addition to any d©cor.

A canvas print can be a great gift idea. The personal feelings associated with a family photo become even more evident when they are translated into a canvas art. The personalized canvas art can brighten up the day of your loved ones and bring the members of a family closer to each other. The cherished memories of a family occasion will stay with you forever by means of printing the photos on canvas. The personalized photos on canvas are an excellent gift idea for any occasion, whether it is a wedding anniversary or a house-warming gathering. For family members who stay far away from homes, such a gift is a truly fulfilling experience.

You can even paint your personal feelings on a piece of paper, have a digital photograph taken of it and then convert it into a personal canvas art print. You just have to send the photograph to a canvas art specialist who will scan the image you have provided into a high-resolution image before transferring it into a canvas art print. Furthermore, the specialist can digitally retouch your painting and transform an amateurs painting into a piece of stunning canvas art. However, the choice of adding digital effect depends up on you. If you want your canvas art to be amateurish because that will express your personal feelings more adequately then you can let it be like that without retouching it.

Step 1: search for a reputed canvas printing company

Before you decide the canvas print for your home, you should first search for a reliable canvas print company. A œphotos on canvas keyword search in google will guide you to hundreds of companies. In order to be more specific about your search, include the state or even city or suburb you reside in the google search.  This helps ensure you are dealing with an Australian based company and also if you do find a more local company it will help keep the delivery wait to a minimum. While browsing through the different companies, look for reputed and experienced companies. Look for samples of previous work and see whether the canvas printing company can offer you quality work within your budget. Read the client testimonials and look for a clean and professional website that effectively answers all your queries. Decide on the basis of quality of work within an affordable range.

Step 2: Learn about the canvas printing process

Educate yourself about the canvas printing process to ensure the quality of the canvas print. Ensuring the quality of canvas print from an online company can be a little confusing because you cannot see the actual product. However, you can compensate for this difficulty by directly contacting the company and asking the canvas art professionals about the methods applied for the canvas print. Ask about the type of canvases that the company will be using, the type of printing ink and the steps taken by the company to ensure the longevity of the canvas print. Make sure that the canvas is made of high grade GSM cotton material and the ink used is UV resistant. Also ask the company what it can do to add effects to your photographs or to restore an old photograph. Some companies will charge extra for this while others wont. Enquire about the entire printing process and how long will it take to create a finished canvas art from the photograph that you have provided.

Step 4 Ensure secure payment transactions

This is the most important step in deciding an online canvas printing company. Make sure that you are dealing with a real company and not with a false company whose intention is to steal your credit card information. Check the security certificate of the website. Check whether the page where you are asked to provide your credit card information starts with a œhttps prefix and has a closed padlock sign at the top of the page. Secure online shopping is vitally important.

This article was written by Blue Horizon Printing, leaders in providing quality, affordable canvas prints across all of Australia.